Sally Wen Mao, poet, author of Oculus and Mad Honey Symposium

Kalamazoo College Office of Intercultural Student Life. 289 likes · 3 were here. The Office of Intercultural Student Life fosters the development of intercultural competence among students and a

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2020-08-17 · Sally Wen Mao is the author of Mad Honey Symposium (Alice James Books, 2014) and Oculus (Graywolf Press, 2019).She has received fellowships from the Cullman Center at the New York Public Library and from George Washington University, among others. Sally Wen Mao is the author of Oculus (Graywolf Press, 2019), a finalist for the Los Angeles Times Book Prize, one of Time Magazine’s 100 Must-Read Books of 2019 and one of Book Marks’ Best Reviewed Poetry Books of 2019. In Oculus, Sally Wen Mao explores exile not just as a matter of distance and displacement, but as a migration through time and a reckoning with technology. The title poem follows a girl in Shanghai who uploaded her suicide onto Instagram. Read writing from Stephanie Wong on Medium.

A brilliant second collection by Sally Wen Mao on the violence of the spectacle—starring the film legend Anna May Wong. In Oculus, Sally Wen Mao explores exile not just as a matter of distance and displacement but as a migration through time and a reckoning with technology.

Outside, grain !elds whisper. Marble lions are silent yet silver-tongued, with excellent teeth. In this life I have worshipped so many lies.

Sally Wen Mao is the author of Oculus (Graywolf Press), a finalist for the Los Angeles Times Book Prize for Poetry. Her first book, Mad Honey Symposium (Alice James Books, 2014), was the winner of the 2012 Kinereth Gensler Award. She was born in Wuhan, China and

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In poems that show Wong time-traveling and inhabiting a spectrum of filmic and real life roles, Mao gives vivid voice to the woman behind the flattened stock figures on the Hollywood screen. I was first introduced to Sally Wen Mao at the Cullman Center in the New York Public Library a couple of years ago by a friend who knew that Mao and I were both writing about the iconic Anna May Wong. It was not until I read Oculus (Graywolf Press), Sally’s luminous second book of poems, that I realized how much our interests intersect. Indeed, both of our new books (mine a scholarly monograph that attempts to theorize the synthetic personhood of “yellow female ornamentality”) are Sally Wen Mao is the author of Oculus, a collection of poems that explores sight and being seen, futuristic worlds and historical figures. She completed this collection during her Cullman Center Fellowship at NYPL in 2016-2017. Sally Wen Mao is the author of two books of poems, Mad Honey Symposium (Alice James Books, 2014) and Oculus (Graywolf Press, 2019). According to the biography on the back of her first book, she was Poet Sally Wen Mao reads from her work at Buffalo Street Books, Ithaca, NY on November 5, 2016.
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Her first book, Mad Honey Symposium, was the winner of the 2012 Kinereth Gensler Award. She was born in Wuhan, China and raised in the Bay Area, California. Sally Wen Mao recommends: In the winter around sunrise, walk next to a river wearing a lot of layers like a nice thick wool coat but no underwear. Collect seaweed and leaves and make yourself a cute outfit.

This poem has been selected as part of HLP’s “Poem a day” series. For more information and to read other poems Sally Wen Mao is the author of Mad Honey Symposium (Alice James Books, 2014) and the forthcoming Oculus (Graywolf Press, 2019). She is the recipient of a Pushcart Prize and fellowships from Kundiman, Bread Loaf Writers Conference, Hedgebrook, Vermont Studio Center, and National University of Singapore. Sally Wen Mao. poet, writer, and educator.
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In ‘Occidentalism’, with it’s play against Edward Said’s famous Orientalism, the man’s book is locked in a silo, but, mysteriously, is still in print. Sally Wen Mao cannot even escape that kind of confinement when she travels back to her native Wuhan, with the ‘ticket, / stamped, ready, an apology/ for my foreign pelt.’

She grew up in Boston and the Bay Area. She Sally Wen Mao’s second poetry collection, Oculus takes the reader on a cinematic passage from Hollywood’s second Technicolor film, The Toll of the Sea, to Anna May Wong reimagined, to a teledonics future of “a pornography live / through open / electrodes” [11], to the histories of Orientalism and Occidentalism, to the multi-dimensional meaning of the Chinese and Chinese-American Sally Wen Mao: You describe it perfectly—in the American context, the racialized feminine Asian body is both a spectacle and an absence, coveted and reviled at the same time. The duality of this has always interested me: Asian women’s bodies, and marginalized bodies in general, have always existed at the intersection of attraction and revulsion.

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Occidentalism – Sally Wen Mao A man celebrates erstwhile conquests, his book locked in a silo, still in print.

You can check it out at the Alice James Books website or Amazon. Here’s a review on Publishers Weekly and here’s one on The Literary Review. May also happens to be Asian Pacific American Heritage month. Kalamazoo College Office of Intercultural Student Life. 289 likes · 3 were here. The Office of Intercultural Student Life fosters the development of intercultural competence among students and a 18 Dec 2019 Or take the poem “Occidentalism,” from Mao's poetry collection Oculus, published this year.

Sally Wen Mao is a Chinese-American poet.. Quotes []. I would want a dreaming machine that dreams up the most beautiful dreams and then show me exactly how to make them a reality…This is the eternal conundrum: the visualization of desires (dreams), and then the dissonance between that and reality.

In this life I have worshipped so many lies. "en I workshop them, make Occidentalism – Sally Wen Mao A man celebrates erstwhile conquests, his book locked in a silo, still in print. In Sally Wen Mao’s 2019 poem “Occidentalism,” the myriad experiences of Asian America encounter the historical legacy of the West. For Asian and Asian American classicists, such connections may come with insidious emotional riders: guilt, frustration, self-questioning, an absence of cultural capital. Shared experiences of cultural dissonance in Classics and a desire for community led to the formation of the Asian and Asian American Classical Caucus (AAACC), an organization that aims to Sally Wen Mao (born in Wuhan, China) is an American poet.She won a 2017 Pushcart Prize. Sally Wen Mao is the author of Mad Honey Symposium (Alice James Books, 2014) and Oculus (Graywolf Press, 2019). Her work has appeared in Poetrymagazine, Black Warrior Review, Guernica, the Missouri Review, andWashington Square, and as well as in the anthology The Best American Poetry 2013.

In Oculus, Sally Wen Mao explores exile not just as a matter of distance and displacement but as a migration through time and a reckoning with technology. 2020-04-26 · from Columbia Journal: “Sally Wen Mao’s stunning second collection, Oculus, focuses not just on sight but on the politics of seeing—its intimacies, failures, elusions, evasions. Oculus in Latin means eye, but it is also a circular opening in the center of a dome or wall. “Occidentalism” by Sally Wen Mao. From Oculus. 2019.